It's always a relief to dispense with naturalism. My mind's focus falls repeatedly on the principle elements of abstract drawing :- line, contrast, spatial relations, tone etc. that is where my interest really lies, puzzling it out, playing. There are certain advantages to allowing drawing to become more stylised, despite the consequent problems of neatness and designs that can become over-worked and overly detailed. Using a botanical theme lends itself to playing with improvised forms which can exist purely to look peculiar rather than pretty. Luckily there is plenty in nature that fits that category.
The best way of countering this static quality is by keeping the composition dynamic. What works for larger, gestural drawings, serves also for smaller intense works - introducing strong elements that expressly refer to the edges of the white paper, which then require careful negotiation. A bold initial move also seems to thwart any reluctance in approaching the snowy wasteland of the paper.
As someone who loves drawing, I found this a fascinating watch!